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Paul Rumiz. The quince Istanbul

The story seemed to end there, but fate thought otherwise: the young , the complete surprise of the author, then picked up his guitar and sang with a voice of velvet yellow fruit grown in Turkey.
sang, unconscious, the woman, who was creating the storm and the sky blue ink in November went like a herd of horses devouring rivers and plains, and Max knew, overwhelmed by memories, could not longer hold back and said to the audience "stay, and I'll tell you what's really behind this song in my life." Affan's prophecy was coming true, the painter: the story was the only way to revive the beautiful Mǎsa from femora long, odalisque and a robber at the same time. It was also the only way, Max thought, to thwart the melancholy, saudade black coming from the East.
He told, and Maja translated, the story of Mǎsa and his three men, and when he got to the point of memorable fruit vendor in the bazaar shouting "Yellow Quinces of Istanbul, there was no one who crying in the room next to the swollen Danube autumn rains. But a strange thing happened: the men and women in the room did not listen to the translation, but his words, as if the pace was stronger meaning.

• Paul Rumiz
• quince Istanbul
• The Storytellers Feltrinelli
• pages: 145, 146

Reported by: Antonio
combobros

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scholastic project

Talk about school to me as an illustrator who loves big sizes and huge brush strokes of acrylic and you will see his eyes get up in the sky with an expression somewhere between despondency before, and boredom, after:)

Indeed, the school, due to its micro-formats, its huge demand and the limited time does not leave much room for cheap emotional and it feels a bit 'frustrated spending hours draw soggettini who do everything in a microspace unless you're a thumbnail.
In very little space you have to show an entire family to the restaurant and the dishes you must see and recognize the courses.
We find ourselves to be a string of character on a prey to various ailments, cooking, dancing, going in and out of school, sleep, wash, play with the dog or engaged in different sports, which then became the 2 x 2 cm .
Almost a waste dump, let's face it.

For me it's always a challenge to confront all this but is also a useful workout for the hand and an exercise for the mind.
There is confronted with thousands of issues and subjects that, by themselves, we never would dream of addressing.

I think I have just finished the first 100 subjects of the new briefing and another 50 already on the desk waiting for me, I'd better go ;)
Come on, do not hate too much school, trovatene the fun and mingle.
Ah, the editor in question is not Italian .. and feel the difference;)



A good kiss and the thumbnail:)

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Yun and Chinese dragons


time ago I left the Yun brave and Chinese dragons in the hands of the publisher.
Now come back to me beautiful "packed" in their volumes. Three small book
magical adventure for the simple reading of the children.








The thing that I appreciate more and more working with other countries is respect for that of the illustrators.
Here we have some publishers think that we live in the air and that our work does not go near the penalty to be paid. They
instead (in addition to the contract and payment) will send much of note!


So it's nice to work:)

It 's a simple thing but it is important that in her.
Say "thank you" is not because it is a gesture of kindness always appreciated, especially because it is true that without both parties would not be possible to produce a book.
Many people often forget when they are directed at Illustrator ...

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what do you do? The illustrator nice ... but what?

Blog quiet for a while, 'is true.
the same way and I apologize to thank all those dear people in my absence have come looking for me and have offered to dedicate time and words.
Thank you and forgive me if I have not yet responded individually, I will. Not everything is
bloggabile, not all moments of life.
It is important to overcome them but finding a starting point may be the hardest part.

Today, peering blog "AMAZING DESIGNERS" I found an article that has set in me as a restart.
Maybe a coincidence, perhaps destiny. At this time, however, seems to me significant personal talking about.
afresh from what they are: an illustrator. Simply.
E 'article short and simple, as it should always be an explanation to be useful.

For you who, like me, you can help to unravel this job in explaining what you are and what you do:) Thanks to
Morena for her lovely blog!
to you the article:

THE CRAFT OF ILLUSTRATOR

In a picture book the artist who produces the images is an illustrator. Transform text into pictures for you.
The Ibro becomes a picture book.
For you, reader, is a more pleasant read the stories!
There is always a relationship between text and image. The illustration is never to be there!

At work

Mique Moriuchi, illustrator for children in London
http://miquemoriuchi.blogspot.com

The illustrator gets a text from a client (who commissions and then pays) is often a publisher.
When he finished explaining the story, the illustrator receives his remuneration.
Often an illustrator working at home. The publisher sent him a text and the book deal: page size, the size of the pictures, the place to go to the text, the number of pages, age of readers of that particular book .
The illustrator must be very careful to respect the clauses.


Warning!
The illustrator is held after the author of the text. Integra pictures .. is a delicate operation!